Things are starting to feel like normal again, now that all the holiday trimmings are packed away, the thank-you notes are written, and the extra cookies are safely frozen — out of sight and mind.
©2019 Elizabeth Fram It’s a big milestone passed once the general outline of the image is stitched in. Eventually this piece will be 18 x 24 inches; the rectangular area is 9 x 12 inches. (Not sure why there is a reddish tint to this photo – it’s a trick of the eye, not part of the work).
As I sit down to stitch this week, it feels like forever since I last had my needle in hand. This octopus piece, that was begun in early December, got sidelined when I ran out of silk thread and my local supplier was closed for an indeterminate amount of time. It wasn’t as easy as I thought it would be to replace my depleted stock, but in case you’re ever in a similar predicament 123Stitch.com in Utah turns out to be a speedy and reliable vendor. Not exactly local, but great in a pinch. And, I certainly learned a valuable lesson about keeping one step ahead of my materials.
©2019 Elizabeth Fram This time around I’m making a concerted effort not to lay the stitches in too tightly, knowing that I will likely be restitching the whole thing once it’s been dyed in order to pull the image out from the dye.
Meanwhile, as December got fully underway, I began to realize that there are only so many balls one can have in the air at once. So this piece took a back seat while I gave in to holiday preparations. I still kept my head in the game though by reading The Soul of an Octopus by Sy Montgomery. It’s a fascinating book that has given me plenty to think about regarding these amazing creatures.
©2019 Elizabeth Fram I definitely have a romance with the patterns that develop and the way they work together.
And once again, I’m grateful for my sketchbook because, despite all the other stuff going on, I could manage to squeeze time for drawing in around the corners of everything else. So December turned out to be a relatively productive month art-wise after all and, in hindsight, the change of pace was probably a good thing.
©2019 Elizabeth Fram There’s only so much that can be done at this stage. The real work will begin once the piece is dyed and it’s time to bring this guy to life.
But now, in these expansive weeks of January, it feels great to be back to a normal routine and to start to see this fellow take form.
On A Different Note______________________________________________________________________________
I am honored that my piece “Crescendo” was featured in Alyson Stanfield’s Art Biz Success blog post on writing artist newsletters this week. I hope you will check out the post, not just to see my piece, but because, as usual, Alyson offers terrific ideas and tips. Over the years Alyson has been one of my best resources for learning about the business side of art. Aside from her blog, her book I’d Rather Be In The Studio is a must-read for any artist.
Reminder for subscribers: Despite best intentions, sometimes technical glitches occur. Last week was another of those times. FYI, I always publish my blog on Thursdays, and if all goes as planned, it is delivered at 4am the following day into subscriber inboxes. If, for whatever reason that automatic delivery hasn’t happened on a given Friday, I will send out another email with a link to the current post. Yet you can also always head directly to the site (https://elizabethfram.com/Blog) on your own. Thanks so much for your continued interest!