It’s been a while since I’ve been to an exhibit that really moved me. If you will be anywhere near central Vermont between now and September 8th, make a beeline to the Helen Day Art Center in Stowe to see the the current show Reclamation. I think you too will be mightily impressed.

Curated by three women, comprised solely of the work of women painters depicting only female subjects, Reclamation brings a sorely needed measure of recognition, not just to the historical lack of acknowledgment afforded to women artists and their valuable contributions over time, but also to the raw power of the work created by the all-female artists included in this show. Co-curator August Burn’s essay in the show’s gallery guide crystallizes and clarifies the strength behind the exhibition’s genesis, and in turn its success.

Most of the paintings are strikingly large, at times even enormous, yet they still manage to maintain a level of emotional intimacy that leaves one with a sense of connection. Despite the disparity between artists and styles, the work imparts an engaging commonality which speaks to viewers across age, life condition, and nationality.

I can’t help but wonder if in this particular instance size might be interpreted as a device equated with the need to raise one’s voice to be heard, as women artists have so long sought to be recognized in an art world dominated by men. There are a multitude of perspectives from which one might absorb the work in this show but, without a doubt, accessibility is a crucial part of its charm.

I hope you will have a chance to see Reclamation in person to judge for yourself.