Tag Archives: Gretchen Rubin

First Things First

Happy Thanksgiving!

But first things first…
I can barely believe that this post marks 10 years and 393 uninterrupted entries here at Eye of the Needle! I went back through my archives to reread what I had written in my very first post on November 29, 2014 and I’m happy to say that this project has been, and continues to be, exactly what I had hoped for and outlined all those years ago.

In the spirit of today’s holiday, thank you — to the many of you who have been here since Day 1, returning faithfully ever since, and just as sincerely to those of you who have joined me along the way.

With that in mind, I have an announcement:
To celebrate this anniversary, I am going to take the month of December off.
I’m looking forward to a break, as well as a chance to re-evaluate how I want to proceed going forward. There may or may not be some tweaks — we’ll see. However, this project comes down to two things:

  1. One of the hidden truths of writing regularly about my practice is that it has helped me to better understand my artwork immeasurably, so I do not expect to stop, and
  2. Judging from the comments you have shared with me, both here and privately, writing about my discoveries and explorations has opened the door for you to in turn fill me in on the things you have found or are doing. That sense of connection and community is exactly what I was seeking when I began and has made this endeavor so much richer.
    So again, thank you.

One last thought: In episode #503 of her “Happier” podcast, Gretchen Rubin addresses an unexpected way to spark creativity which, once she mentioned it, rang very true to me. Creating a demand that has to be met, (e.g. the deadline of publishing a regular post online) fosters creativity. Maintaining this self-imposed commitment has taught me that, while admittedly some weeks may be harder than others, if one sets to work, the ideas never fail to come.

Now on to today’s post...

We celebrated the holiday early this year, in Chicago with our daughter. As is often the case, our trip included a visit to the Art Institute. This time we caught 2 exciting exhibits and had the chance to see a universal icon. Here is a quick recap.

Jeremy Frey Baskets

© Jeremy Frey

First, the spectacular baskets of Passamaquoddy maker Jeremy Frey, were on display in the show “Woven”. His work is almost beyond belief in its complexity and innovation. We missed this exhibit at the Portland Museum of Art when we were in Maine last summer, so I’m grateful to have had a second chance to catch it.

Loon Basket Jeremy Frey

Loon ©2020 Jeremy Frey, Ash, cedar bark, porcupine quill on birch bark, and dye

Every step of every process in his baskets is accomplished by Frey. He thoughtfully selects and fells the trees (mostly ash), then pounds the logs with the back of an ax to separate the growth rings, splitting them into thinner sheets that he then cuts into narrow strips. He uses dyes to incorporate vibrant colors and he further embellishes basket covers by embroidering natural imagery with porcupine quills. His mastery and imagination are breathtaking.

 

This short video follows Frey throughout much of his process.

Paula Modersohn-Becker Self-Portrait

Self-Portrait, Looking Left with Hand on Chin, Paula Modersohn-Becker, 1906, Oil tempera on paper mounted on cardboard

I hadn’t heard of Paula Modersohn-Becker before checking the Art Institute’s website to see what would be on display during our visit. Seeing her work in “I am Me”, I was moved by the sensitivity of her painted and, especially, her drawn portraits – mainly of herself or of other women. Considering she was only 31 when she died of a postpartum embolism, one can’t help but be awestruck by the intensity of her work, despite her relative youth. What a loss for the art world.

Farmer's Wife Modersohn-Becker

Farmer’s Wife, Seated, Paula Modersohn-Becker, 1899, Charcoal on paper

Finally, Hokusai’s iconic The Great Wave is back on display for a limited period (through January 6). It was a thrill to see an original print in the flesh for the first time. Due to the gallery’s subdued, protective lighting, I didn’t even bother to take a picture, choosing instead to just stand and savor.

The Great Wave

Under the Wave off Kanazawa, also known as The Great Wave, from the series “Thirty-Six Views of Mount Fuji”, Katsushika Hokusai, 1826-1836, Color woodblock print, 10 x 14-3/4 inches, image from Art Institute of Chicago website

For some fun facts, you might enjoy reading 10+ Things to Know About The Great Wave. Particularly fascinating: the impact of the work would have been entirely different for Japanese viewers who read from right to left, so likely would have viewed the print that way, as opposed to Western eyes which would have experienced the wave from left to right. Take a look with that in mind and judge for yourself.

Where else but a museum can you pack so much into a couple of hours?
That’s all for now.
Enjoy your Thanksgiving and holidays to follow; I’ll see you in January!

 

Something To Set Your Sights On

I have my eye on a bit of time off this week…

Latest Eyes

 

but first, two recommendations for you to consider:

Life in Five Senses

Gretchen Rubin’s book Life in Five Senses: How Experiencing the Senses Got Me Out of My Head and Into the World.

How To Academy Podcast

And, in an unexpected but interesting intersection with Rubin’s book, Susan Magsamen and Ivy Ross discuss “Your Brain on Art” on the How To Academy Podcast.

Enjoy, and see you in two weeks.

 

Eyes Ready