Tag Archives: Geninne Zlatkis

When 1 + 1 = More

Having decided to include both drawings and stitched work in Drawing Threads, I have been thinking quite a bit about multi-disciplinary artists lately. I’m sure their motivations are as varied as the artists themselves, but I do wonder about the thought process of those who choose to divide their energy between mediums.

Divide and Conquer

Divide and Conquer      ©2017 Elizabeth Fram, Stitched-resist Dye and Embroidery on Silk, 14 x 11 inches    Photo: paulrogersphotography.com

The main reason that drawing has become such a mainstay in my own practice boils down to time. Being able to complete a thought and have a sense of accomplishment in one sitting, rather than the days into weeks that large textile pieces require, has propelled my ideas forward much more quickly in both disciplines.

Key Lime Pie

Key Lime Pie     ©2017 Elizabeth Fram,  Ink on Paper, 11 x 8.5 inches

The following is an excerpt on the subject of multi-disciplinary work from an interview with Lisa Ferber on the Huffington Post Blog, 3.21.12

Explore. Don’t feel a need to stick to just one method of self-expression. “You are not just a writer or an artist — you are a creative person, so don’t limit yourself to a particular medium, such as painting, writing, or performing,” says Ferber. “I love being multidisciplinary. I see myself and all people as unlimited creative forces. I always create out of joy, whether it’s with a pen or a brush or in front of a video camera.

With that thought in mind, I’d like to share several of my favorite artists from Instagram who spread their work between more than one discipline.

  • Australian artist Veronica Cay, pairs drawings/paintings with ceramic sculptures. She often incorporates snippets of fabric into both, adding an interesting dimension that — no big surprise — is particularly appealing to me.
Veronica Cay Transgress, Whatever Happened

© Veronica Cay    “Transgress”, 2014 (left)      “Whatever Happened”, 2017 (right)

  • Nigel Cheney is an extraordinary draughtsman from the UK whose eye for detail also translates into a passion for stitch.
Nigel Cheney Hare and Cinquecento

©Nigel Cheney      “Hare”, 2009 (left)      “Cinquecento”, detail 2010 (right)

  • Geninne Zlatkis’ work depicts animals, birds, and plants. She paints their images on paper, tools them into leather, and etches them into the pottery she creates.  She also makes masterful hand-carved stamps. Her stunningly colorful photography captures the New Mexico landscape where she lives and the natural objects she collects from it.
Zlatkis Blue Bird and Leather Cuff

©Geninne Zlatkis     “Blue Bird”, (left)      Leather Cuff, 2015 (right)

  • Zachari Logan, whom I’ve written about before here and here, combines a spectacular drawing practice with equally intriguing ceramic sculptures.
Logan Fountain and Metamorphosis 2

©Zachari Logan       “Fountain I”, hand-built clay body, 4x4x4.5 feet, 2013 (left)       “Metamorphosis 2”, blue pencil on mylar, 10 x 17 inches, 2013 (right)

  • Lynn Chapman is a self-described plein air painter, textile artist, and illustrator from the UK. She is very active with Urban Sketchers. The lines of her drawings are fluid, economical, and very expressive, while her textile pieces celebrate color and marks with an equally flowing feel.
Chapman Ceres Cafe and Landscape

© Lynn Chapman     “Cafe Ceres 11” (left)     “landscape detail” (right)

I’d be remiss if I didn’t also mention friends who balance more than one discipline…

  • Dianne Shullenberger’s textile collages, colored pencil drawings, and sculptural objects are an ongoing expression of her love for nature.
  • Almuth Palinkas is a tapestry artist and painter. Her devotion to beauty is evident in all her work.
  • And Roz Daniels makes striking art quilts that, as with her stunning photographs, depict her strong inclination toward simple geometry.

And of course many, many masters delved into multiple mediums.
One final thought: when you have time, read this article about Ellsworth Kelly’s Temple for Light, which is an inspiring culmination of multidisciplinary achievement and, in many ways, a place to worship the deep waters of creativity.

A Salute to November

There are many reasons I’m happy we live in Vermont, but a big one is that I’m grateful to have landed where each month is distinct from all the others. Asserted through our weather, the colors that surround us, and the resulting way we move through our days, this reliable sense of change within each year makes me feel grounded.

November-Color

In a nod to yesterday’s celebration, I think the monthly diversity that makes up a calendar year could be likened to the mixed bag of personalities that surround any family’s Thanksgiving table. Each 30-day period possesses its own strengths and weaknesses but, due to its individuality, occupies a place that no other could fill and would be sorely missed if absent.

BittersweetWatercolor

Bittersweet     ©2015 Elizabeth Fram                                                                        Bittersweet from my brother and sister-in-law’s garden is a fall treat. It adds a welcome visual spark via color, shape, and shadows — both inside and outside of the house.

That said, I have become very fond of the month of November. Pared down to essentials, it provides a crisp beauty and a sense of quiet following the exuberance of October’s visual fire and summer’s lushness. With the leaves now down, one can fully appreciate the beautiful structure of the trees and shrubs, which remains hidden for so much of the year and is now highlighted by the dramatic light and stark shadows cast by a sun sitting lower in the sky. Looking up through a screen of silhouetted tree branches to see twilight’s Prussian blue sky with a blush of rose, often accented with an evening star, takes my breath away.

November-Door

Although literature tends to paint it as bleak, I think November has a lot to offer us visually and internally as we bundle up in preparation for winter. I find this time of year particularly inspiring artistically. Influenced by what I see outside, my brain feels less cluttered and more open. The garden has finally been put to bed and inclement weather makes being in the studio a welcome refuge.

Bittersweet&MiniPumpkin1

November Arrangement     ©2015 Elizabeth Fram

I hope, now that the Thanksgiving cooking is behind you, you can put your feet up and relax this weekend. If possible, treat yourself to the visual inspiration of Geninne Zlatkis’ Instagram site. The farther you scroll, the more caught up you will become. A new Mexico painter, she takes stunning photographs of her surroundings, elevating the everyday to a new level of color, arrangement & detail — elements near and dear to my own heart. Enjoy!

This week marks the 52nd post to this blog; a full year of weekly ideas and conversation. I’ve learned more from this endeavor than I ever would have guessed, and am grateful to you for your comments, encouragement, insight and most of all for continuing to read. Here’s to moving forward…