Tag Archives: David Hockney

Gone to the Dogs

Usually, an idea for each upcoming blog post surfaces well before I begin writing. But this week I’ve been at a loss. After a number of false starts, I was sitting here at my computer wondering what in the world to write when I started to tune into the soft and steady breathing from under my desk.

Under the Desk

And simple as that, this post was born. Quinn’s gentle snoring nudged me into remembering a recent article about a new exhibition that has just opened at the Wallace Collection in London, “Portraits of Dogs: From Gainsborough to Hockney” .

Amos, 1976 by Andy Warhol ©Andy Warhol

My chances of getting to see the show in person are slim. So in lieu of heading to the UK, I pulled out a couple of books that center on dogs in art and had a bit of an at-home exhibition of my own.

The Book of Dog, by Angus Hyland & Kendra Wilson

The first, The Book of Dog, is a compendium of varied works spanning centuries, curated with a contemporary eye. The other, We Think the World of You is a series of sensitive pencil drawings enhanced with minimal washes of color by David Remfry. Although quite spare, his pieces convey the depth of the unique bond between individual dogs and owners.

All Curled Up ©2023 Elizabeth Fram, Watercolor and graphite on paper, 5.5″H x 5″W I couldn’t resist painting my own trusty studio assistant, with a heathy dose of gratitude to her for helping me figure out what to write this week. For more examples of her tolerant modeling, check out the Ruby, Lola & Quinn section of my website.

In snooping around a bit more online to see what else I could learn about the Wallace Collection show, I came across this searing review. Honestly, it is so outspokenly negative it made me chuckle. As they say, beauty is in the eye of the beholder.

This photo is from an invitation to an exhibition at the Museum Boijmans Van Beuningen in Rottredam, 1995.

A dog portrait may not be to everyone’s taste, but for those who are of like mind, here’s to our beloved canine pals – in art and in general. And an added three cheers for the sweet sense of connection that comes in knowing that such greats as Leonardo da Vinci, Andy Warhol and David Hockney also found inspiration in portraying their pets. In Hockney’s case, the portraits of his dachshunds even offered an avenue toward moving through grief after the death of a close friend.
From a more workaday perspective though, I’ll bet each famous master (pun intended) welcomed the break that painting a pooch provided from the demands of finicky human patrons.

That Time Again

A sneak peak at what I’m currently working on…

If you’ve followed this blog for any length of time, you know that sooner or later a book post is bound to roll around again. I love reading (obviously) or just living for a while in the world of pictures. But I also get a charge out of discussing books, listening to podcasts about them, learning more about the author’s backstory, what s/he had in mind when writing, and ultimately sharing the titles of those I just can’t keep to myself.

So for this first post of 2023, here are three books I received this Christmas that I hope might brighten your new year as much as they are brightening mine.

David Hockney A Yorkshire Sketchbook

No words, only pictures. A sweet little book of the English countryside through the eyes of one of my favorite artists. It touches on a few of the art-y things that get my pulse revved up: loose watercolor work, organic pattern, and the geometry of divided space.

Inhabiting the Negative Space, Jenny Odell

What a fabulous jumping-off point this book is for approaching the new year! Very short and to the point, it was Odell’s 2020 virtual commencement address to the Harvard Graduate School of Design. Within its pages she pushes back against our current tendency toward incessant productivity, looking instead to periods of inactivity as vitally important for generating ideas. Frankly, I needed a reminder that time spent in reflection and contemplation is valuable, and that mind-space is a necessary ingredient for sowing the seeds of insight and is crucial to creative work.

Drawing for Illustration, Martin Salisbury

Suggested by illustrator Lucia Leyfield (another book recommender!) in her newsletter, this reference book is wise, informative, and discusses aspects of drawing that I find so enjoyable. Very inspirational.

And, because I can’t resist: my latest happy discovery is artist Sandi Hester. Her irrepressibly joyful personality spills into her informative Youtube art videos and her work. The world is so darn serious these days — she just makes me smile for so many reasons.
Below is a video where she talks about her favorite art books. We share some overlaps, but I also learned about a handful of new-to-me artists. Maybe you will too.

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Finally, for those of you near enough to make the trek, I’ll be part of the upcoming exhibition “Transformations: Material Environment, Us”, which opens at Studio Place Arts Third Floor Gallery on January 25th.

Join us for the Artist Social on Saturday January 28 from 3:30-5pm. Please also note that on Friday, February 3rd at noon there will be a panel discussion moderated by Leslie Roth with 3 of the participating artists: Jane Quimby, Heather Ritchie and Dianne Shullenberger.
Hope to see you at either or both events!

The work isn’t over once the brush and needle are set down. Framing is just another step in the process and I think this floating approach is a good way to go with these stitched paintings. This piece, “House on Fire”, will be part of the upcoming “Transformations” exhibit.

Down The Rabbit Hole

In looking for new subjects to draw, I’ve been seeking out photos of my artistic heroes. With very little effort, one can find some pretty remarkable images online.

Admittedly, searching in this way can become a bit of a rabbit hole if you aren’t careful. It’s easy to get caught up in unanticipated articles and links. Yet perusing these old photos also offers a tiny peek into the person behind the giant — a touchstone more intimate than critical essays and curatorial art-speak can offer.

As far as practicing my drawing is concerned, the fact that the majority of these resources are black and white plays to my advantage. Their lack of color gives me the opportunity to stretch by adding and working with various hues as I see fit, pushing the limits of what I know so far.

I’m coming to recognize that, even when using a photographic reference, drawing facial features is an exercise in empathy. Unlike a still life, there is a human being behind the shapes and forms one is diligently trying to capture. Alice Neel stated that she was painting her subjects’ souls in addition to their bodies. While I’m still working on more rudimentary levels of portrayal, I do find myself thinking about the person I am drawing, wondering how a conversation might unfold and what I might learn if I were lucky enough to have any of these heroes actually sitting in front of me.

YouTube, it turns out, can be a pretty decent substitute by providing the opportunity to hear artists (at least those from the 20th & 21st centuries) speak for themselves. I thoroughly enjoyed this 1978 video of Neel. She reminds me of my grandmother in many ways — partly because they were born around the same time and Neel’s look with the hat and chunky necklace is very reminiscent of the elder ladies in my family as I was growing up. But beyond that, also like my grandmother, Neel’s confidence and down to earth tell-it-like-it-was attitude captured in this interview is endearingly human.

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I have great admiration for reportage illustrators and have written about them before. For court illustrator Jane Rosenberg, the Derek Chauvin trial in times of COVID presented a far steeper set of challenges than I am experiencing in just trying to keep up a regular practice. It was interesting to see the results of her labors and to read about her experience in this New York Times article. The New York Post published a much deeper article about her career last September, as she remembered “40 years of legendary bad guys”.

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Instagram of the Week

Lara Blanchard is a multi-disciplinary French artist who makes embroidered etchings and textile-based sculptures. That description doesn’t begin to do her work justice. It is both fantastic and fantastical; be sure to check out her Instagram feed @laraorsolupa.

the Sheltering in Place project

It was a fun privilege earlier this week to help hang/place, amid a forest of willow branches, the little shelters that are the heart of the Sheltering in Place project now on view at The Highland Center for the Arts in Greensboro. Granted, when I left, the set-up wasn’t absolutely complete so I didn’t get to experience the full effect with special lighting and recorded haiku written specifically for the show. But I can confidently tell you that it is going to be a magical exhibition.

SiP Evite

The show will be open to the public by reservation only. Check the HCA website for information about their COVID-19 protocol for the building and the installation. Sadly, there will be no reception or artist talks due to obvious concern about large gatherings at this time. But truthfully, the work speaks for itself and perhaps savoring it in relation to your own sheltering experience will be the most meaningful way to enjoy it.

Relative Distance ©2020 Elizabeth Fram, Stitched-resist dye and embroidery on silk, with foraged twigs, 9 x 6 x 6 inches. The above image is to jog your memory so you can keep your eyes peeled for my piece in the show. If ever there was a testament to professional photography, this is it. Thank you Paul Rogers Photography

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Meanwhile, I’ve enjoyed spending time drawing our friends and neighbors up the street. An added bonus is that they took these photos on May 11th, recording our late spring snowfall. Karen’s sense of humor about being long-overdue for a haircut added to the fun of trying to capture her.

For whatever reason, Alan’s image was harder to nail down (my fault, not his). It was a challenge to balance the shade and reflected light under the brim of his hat. However, pushing into mixed-media by adding watercolor and white ink eventually got me over the hurdle.

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One final note before wishing you a happy holiday weekend:
I tend to collect quotes gleaned from my reading, but since I don’t have any specific place to keep them, they are always a lovely surprise to come across again when I’m sifting my way through old daybooks or stacks of paper that build up on my desk. I thought I’d leave you with this one from David Hockney as an offering of hope in the midst of all our uncertainty. Keep it in mind if and when you go to see the Sheltering in Place project.

I have always believed that art should be a deep pleasure…there is always, everywhere, an enormous amount of suffering. But I believe my duty as an artist is to overcome and alleviate the sterility of despair…New ways of seeing mean new ways of feeling… I do believe that painting can change the world. ~David Hockney

Dog Daze

Looking back over posts from the past couple of months, I see it’s been a while since Quinn has made an appearance here. Despite the regularity of my weekly life drawing sessions, she’s still my most faithful and readily available model. It is the rare week that I don’t try to capture her in at least one or two sketches.

©Elizabeth Fram, 11 x 8.5 inches, Pen & ink on paper. Other days she’s the cooperative one but I’m the problem, in need of many searching tries to get the lines where they should be.

©Elizabeth Fram, 11 x 8.5 inches, Pen & ink on paper

©Elizabeth Fram, 5 x 8 inches, Graphite on paper

©Elizabeth Fram, 8.5 x 11 inches, Pen & ink on paper

Unsurprisingly, I tend to be drawn to work that includes a creature of some sort. If you are also a member of that camp, take a look at the art resources for animal lovers listed below.

Susan Hertel (1930-1993), an artist I had never heard of before coming across a retrospective catalogue of her paintings while vacationing in New Mexico years ago. I was immediately smitten with her compositions, her rich use of pattern, and her portrayal of her animals (horses, dogs & cats), an element integral to both her work and her life.
Lark Book’s 500 Animals in Clay is a delightful compendium of beautifully, and often humorously, crafted representations of the animal kingdom.
Mr. Finch, of Mr. Finch Textile Art, fabricates stunning pieces that are a combination of the magic of fairytales with a touch of Darwin.
BONUS: David Hockney’s paintings of his beloved dachshunds.

Repetitio mater studiorum est

“Repetition is the mother of all learning”

The past couple of weeks I’ve been painting glasses of water.

I’m interested in the distortion of the cloth’s pattern seen through the water, and the challenge of capturing the effect of light on both the glass and the liquid.

Having a repetitive subject like this to sink my teeth into is probably one of the best ways for me to learn and to grow (think scales on the piano). But in order to maintain interest it’s just as important that there is sufficient variety and an adequately steep challenge.

I’m finding enough similarity between subjects that I am starting to sense a recurring order and structure with each new sketch, while the variables of pattern and color between them (as well as the desire for improvement) is the substance that is keeping me thoroughly engaged.

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I searched a few of my heroes to see what they did with the subject

Mark Adams, Black Water Jar, 1982. Aquatint, 16.25 x 16.75, Teaberry Press, Edition of 30

David Hockney, Postcard of Richard Wagner with Glass of Water, 1973. Etching, 8.5 x 6.1, Edition of 100

Wayne Thiebaud, Drink, 1999-2002. Oil on panel, 26.6 x 29.8cm

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Check out Marc Taro Holmes answer to the question: “When practicing drawing, do you recommended drawing the same thing till it becomes perfect or drawing different things every day?”

Also – if you are relatively local, I just noticed that Marc will be giving the workshop “Still Life in Watercolor” on December 2nd at the Helen Day Art Center in Stowe.

Hygge…Vermont-style

Hygge may seem to be suddenly all the rage, but when you live where it’s the norm for winter nights to be long, cold, and dark, it’s hardly a new concept. Hygge Vermont-style is as old as the surrounding hills and just as inviting as any Danish lifestyle book. We may not be indulging in pumpkin-spice lattes and pine-scented candles but, for some of us, snuggling up by a crackling fire with a full evening ahead to get lost in a book is one of life’s true pleasures…and the essence of coziness.

This week I have been experimenting with various origami folds before stitching.

Since things have settled down after the holidays, I’ve been enjoying a line-up of wonderful books. Some, but not all, are art-related. Now seems as good a time as any to share their titles as we still have a window of long evenings to enjoy before the spring solstice arrives.

Sisters In Law: How Sandra Day O’Connor and Ruth Bader Ginsburg Went to the Supreme Court and Changed the World by Linda Hirshman
This book couldn’t be more timely — on numerous fronts. It pulls back the velvet curtain in ways both uplifting and unsettling.

Waterbomb base

Studio Craft as Career: A Guide to Achieving Excellence in Art-Making by Paul J. Stankard
A studio artist working in glass, Paul Stankard shares the evolution of his career from scientific glassblower to internationally renowned ‘father of modern glass paperweights’. In addition to discussing at length his philosophy for pursuing excellence while offering his insight and counsel, Stankard also highlights over 45 artists whose work he reveres, including their individual advice for success. An inspiration on many levels.

Book & Cupboard – front

Selected Writings of Bruce Metcalf
A series of essays recommended by Paul Stankard in the above book. I haven’t made my way through all of them, but the first set consider the divide between art and craft more articulately and deeply than any other treatise I’ve read on the subject yet. Despite being written in the 80’s and 90’s, they are very enlightening and still hold water.

Book & Cupboard – back

A History of Pictures: From the Cave to the Computer Screen by David Hockney & Martin Gayford (thank you Lauren!)
This thick and richly illustrated book lends itself well to long or short sessions. Hockney is one of my artistic heroes. He is so smart and astute; I always learn from and enjoy what he has to say.

Thirds

Deep Work: Rules for Focused Success in a Distracted World by Cal Newport
As mentioned several times before in this blog, I have been reading Newport’s blog Study Hacks for well over a year and wholeheartedly buy into his theories surrounding “deep work” as a means of accomplishing more richly developed objectives in less time. I found myself taking notes throughout, but the section on formulating goals was particularly helpful.

…And for good, old-fashioned storytelling, try these fiction titles:
News of the World by Paulette Jiles
The Thirteenth Tale by Diane Setterfield

It’s your turn. What titles are keeping you warm this winter?

Opening up worlds
And discovering new paths
Nothing like a book
– Daniella Ignacio