Tag Archives: Commission

Sanctuary

The last week of the year is special.
All the hustle, bustle and added to-do’s that define December are now in the rear view, making way for pockets of time to sit back and think about what’s next.

Snow Moon & Firestorm

My final project of the year was a commission that a I’ve kept mum about until final approval. The directive was for it to be about a foot tall, a house nestled in branches and, similar to Snow Moon, covered with trees. Much like Firestorm, it was to be wrapped in a mantle of organza, this time embroidered with leaves. Prominent colors would be browns, oranges and greens. The aim was for the house to feel enveloped in nature and to represent, as my collector put it, “sanctuary from the crazy times we live in”.

Although not specifically asked for, this metallic copper-colored moon/sun seems to add just the right note of mystery

Working on such a relatively small scale carried a few unforeseen challenges, such as how to incorporate the organza cloak. But frankly, no piece would feel complete – or suitably satisfying – without a puzzle or two.

I dyed the organza to suggest the mottled colors of the tree canopy, and folded the fabric into a double layer to provide depth through color variation. The puzzle was figuring out how to embroider leaves so that the reverse, which would likely be visible, wasn’t a mess of knots and crossed threads. Sarah Homfray’s YouTube channel of embroidery tutorials is an amazing resource!

Now that it’s finished, it will soon be on its way to Texas. And in hindsight, I couldn’t have asked for a more positive note than the idea of “sanctuary” to close out 2022, or to prepare for the fresh page of 2023.

With that sentiment in mind, I wish you a peaceful new year – bright with the possibilities that lie in creativity. And I’ll look forward to reconnecting with you in a couple of weeks.
Happy New Year!

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Following through on the idea of sanctuary – my final suggestion/recommendation for the year:

I’ve had my eye on Jethro Buck’s work for a while. The Albert Einstein quote on his website landing page pretty much says it all: “Look deep into nature, and then you will understand everything better”.

Time for Regrouping

You gotta love a sense of completion!

For the past several weeks I’ve been chipping away at a watercolor group portrait commission that came out of the blue. Best done in steady, measured sessions, it has been the perfect mix of challenge and, in the end, satisfaction. Now that it is en route to its new owner, I’m relieved, excited and frankly a bit spent.
I’m sorry not to be able to share pictures with you here – at least for a while – as it’s meant to be a Christmas surprise.

But what I can share with you is the color test sheet I used along the way. It’s not exactly a thing of beauty but it still has a certain charm. If the paper hadn’t already had something on the back I would have squared it up and used it for the note I include when sending a piece off to its new owner. I guess that’s an idea I’ll have to remember for the future.

Now that the painting is out of the studio, I’ve been working around the edges of other business-y chores while getting back up to speed. And frankly, I’m glad for a bit of a break. For the most part I’ve been becoming reacquainted with my mat cutter, submitting to a couple of shows, and starting the planning process for 2022. Did you realize that there are only 6 weeks left this year?

©2021 Elizabeth Fram Walnut ink on paper, 5 x 8 inches While Quinn may be the one who’s actually logging the zzzz’s, taking some time with my sketchbook makes for a relaxing and satisfying mid-day break from the computer for me.

I know this is not the stuff of which inspiring posts are written, but I think it’s worth sharing all the same. There is much that goes on “behind-the-curtain” in any studio — necessary tasks that aren’t glamorous, but which need regular time and attention and are just as crucial as the drawing and the stitching. Plus, I think it’s important to recognize how necessary it can be to regroup before jumping back into the making again.

See this for more resources on artistic business practices.

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While I haven’t had much time to explore it yet, Sarah Homfray’s YouTube embroidery channel looks like a wonderful place to learn — whether you are a beginner or an expert.

(Com)Mission Accomplished

This week I am feeling a satisfactory sense of accomplishment having completed, delivered, and installed a commission that has been in the works since July. I am now enjoying the luxury of being able to reflect on the process.

Drifting Solace, 24" x 46" ©2015 Elizabeth Fram

It has been a bit of a challenge to figure out how to weave this endeavor in with everything else that the past 6 months has encompassed, but the stretch was worth it.

Drifting Solace, Detail ©2015 Elizabeth Fram

First and foremost, I count myself tremendously lucky to have been able to work with a delightful and interesting client. My long-ago days in free-lance advertising and illustration taught me that is not always the case — to such an extent that I have since shied away from commissions. But when approached this time, I was so interested in trying to capture what she was looking for, that it seemed the time had come to step up to see where things might lead.

It has been a wonderful learning experience that has kept my feet humbly on the ground while also providing a fertile environment for growth. The following list includes several take-aways that come to mind immediately; I’m sure more will surface with time.

1. The importance of listening attentively, always with an ear for clues in client feedback for ways that the piece she is ultimately hoping for can dovetail with my working methods and means of bringing an idea to life. The optimal goal being that we both enjoy the process, as well as the end result.

Fabric Palette

2. Learning to plan ahead and to log my time. (And coming to the realization that every- thing always seems to take half again as long as I had originally thought).

Daily Work Log

3. The importance of “deep work” (as Cal Newport defines it) in making concrete strides.

Initial Fabric Placement

4. How to organize my days so that I can move forward steadily while honoring other commitments that were already in place and certainly weren’t going to disappear.

Organizing pieces for vertical strips

5. Appreciation for the boundaries that someone else’s vision puts in place – and in turn, the freedom that comes from that narrowing of overall approach. Structure can be a good thing.

Strips with piping inserted

6. To be fearless in experimentation.

Left Side

Right side dyed and painted; two sides brought together for first time

Embroidery in progress

Embroidery detail

I have gotten a lot out of this experience and the many ways it has helped me to stretch, bolstered by the freedom that my client allowed me along the way. But ultimately, two things stand out as highlights in the culmination of the project. The first was seeing her face, absorbed in her own thoughts as she looked at the finished piece on her wall, finally there ‘in the flesh’ after months of patiently waiting.

In Situ

And the second being the feeling, as I walked away from her apartment, that I had played my part in connecting ideas that hold significance for her with a tangible expression of those important thoughts and memories. As mentioned in quoting Salman Rushie in last week’s post, it felt like the universe had opened just a bit more.