Tag Archives: Ann Boscher

Montreal Melange

The closest “big city” to central Vermont is Montreal which, at only 2-1/4 hours away, is a virtual stone’s-throw and perfect for a get-away. We spent a couple of days and nights there earlier this month taking in some delicious meals, live jazz and plenty of fresh visual inspiration.

de Fil et De Papier signage

Most exciting was a visit to the current exhibition at MUMAQ – The Musée des Métiers d’Art du Québec (Québec Museum of Crafts). De Fin et De Papier (Thread and Paper) is an invitational show, curated by paper artist Marie-José Gustave; it includes the work of 8 artists, as well as her own.

Marie-Jose Gustave

Écume II (Foam II), ©2023 Marie-José Gustave, Paper thread

 Ann Boscher

Rêve // Série Les Habitants (Dream / The Inhabitants Series), ©2017 Ann Boscher, Pigments, egg yolk, cotton thread on 100% recycled paper

Nithikul Nimkulrat

Lâcher Prise (Letting Go), ©2005 Nithikul Nimkulrat, Paper string, thread, knotting

One of the things I most appreciated about the museum itself is that everything is accessible and easy to see, often from several angles. And unlike the permanent collection, the work in De Fin et De Papier is not behind glass so it can be viewed closely enough to study the processes and workmanship of each delightful piece in minute detail.

Nimkulrat detail

Lâcher Prise, detail, Nithikul Nimkulrat.     So wonderful to recognize the macrame knots we used to use to make plant hangers a million years ago reappearing to such beautiful effect in Nimkulrat’s etherial dresses

Ute Wolff

Les vagues de lumière (Waves of Light) ©2023 Ute Wolff, Tyvek paper, monofilament, cardboard, acrylic paint, india ink, Painting, digital cutting, sewing, embroidery

Boscher detail

Ann Boscher’s work was by far my favorite in the show. I haven’t ever seen stitching on paper used to such effect…wonderful!

If you go, be sure to allow time to take in the permanent collection as well. There are wonderful examples of work made by numerous generations of Québequois fine craft and folk artists – in glass, ceramic, silver, wood-carving, textiles and more.

Vanessa Yanow

Enomeno ©2008 Vanessa Yanow, Flame worked glass, blown glass, crystal rhinestones, reflective glass, textile, flock, wool and PVC

The museum building was formerly a new-Gothic church that had been dismantled stone by stone and then rebuilt at its current location when the land it originally sat upon was expropriated by the Canadian National Railway to make way for a new station. The building and collection together are a virtual treasure box.

Jean-Guy Ringuet

La chasse-galerie (The Hunting Gallery) ©2015 Jean-Guy Ringuet

 

We also visited the Montreal Botanical Garden. I realize it’s a bit ironic leaving rural Vermont, heading to the city and then spending a chunk of time wandering through gardens, but that’s who we are. In fact, because we covered so much ground across town this trip, I became more cognizant of how much care the city planners of Montreal have put into being sure to incorporate green space throughout their city.

If you’ve been before you’ll know the Botanical Garden is a stunner. But what struck me most this visit, despite the flagging fall blooms, was the thoughtful and diverse color combinations that are still vibrant. It would be lovely to spend an afternoon with a sketchbook making notes of the unexpected color blends for future reference.

 

Finally, Montreal is rich with public art.
Intrigued before our trip by reading about the Canadian Centre for Architecture Sculpture Garden, (designed by Montreal artist-architect Melvin Charney), I was anxious to see and walk among the (relatively) miniature buildings raised on columns. Surrounded by a lovely green space, the sculpture section of the park is compact and doesn’t take much time view.

Melvin Charney

Melvin Charney

The lasting impression is a lovely sense of harmony between its elevated art structures, sitting in a conversation of sorts with the neighboring high-rises. One doesn’t feel a giant amongst these small buildings, but because of them, nor does one feel dwarfed by the height of nearby towers.

Architectural Sculpture Garden

Melvin Charney, Canadian Centre for Architecture Sculpture Garden

I just watched “Grab a Hunk of Lightening“, a terrific documentary about photographer Dorothea Lange, via the Architecture + Design film series. It was a one-day event, but you can stream the film through Amazon, Apple TV or Google Play Movies for $2.99. For those who aren’t familiar with much of Lange’s work beyond her photographs of migrant workers during the depression, you are in for a treat.