This week, in lieu of all the usual writing, I am giving us both a break. Instead, I am posting photos of this latest piece as it has evolved. Your questions are welcome.
The first step is creating the Shibori pattern on raw silk. This particular pattern is called “Mokume”, which means wood grain. It is not an exact science – just rows and rows of closely spaced running stitches. Still, I’m sure you can appreciate the resemblance to its namesake. Look closely to see the dots of white along the right edges of the pattern. They mark the placement of the knots of the threads that were used to gather the fabric before it was dyed.
I use photocopies of my original sketches as a map of sorts, to help me translate the image into stitch.
Using a variety of stitch patterns, weights, and colors gives a sense of form, and also adds an abstracted quality that I quite enjoy.
Once I added the gold thread to that inside right section of the cup, it began to come alive. Sometimes a very small change can make a huge difference.
When I got to this point I began to see the minimal stitching on the saucer as an interesting composition in itself and I gave serious consideration as to whether I should just stop, leaving the saucer mostly blank. Of course I decided to keep going, but seeds have been planted to investigate this idea further in a future piece.
Not only have I made the choice to keep going by filling in the saucer, I’ve begun to work on the background as well.
Getting the saucer right was a bit of a challenge. You don’t see it in these photos, but it took several tries to get each section so that it rang true. Such is the beauty of working with thread; it is so easily removed and restitched.
The background is now a major consideration – and I have removed most of the stitching to the right that had appeared before. Deepening and outlining the shadow below the cup strengthens its definition.
The background continues to evolve. At this point I realized I needed to figure out how to tone down the lighter section to the left of the cup so that it didn’t stand out quite so starkly.
Quiet Moment ©2017 Elizabeth Fram Finished! Now to decide on framing…
Quiet Moment, detail ©2017 Elizabeth Fram
Quick note: most of these photos were taken at the end of the day, in sketchy &/or artificial light, which explains the color differentials.
On a Different Note…
This week marks the opening of “Fiber Expressions“, a group show of the Vermont members of the Surface Design Association. I have 4 pieces exhibiting. I hope you can check it out if you’re in the area. Here’s the scoop:
Fiber Expressions
February 20 – March 31, 2017
Living/Learning Gallery, University of Vermont
633 Main St., Commons 205, Burlington, VT 05405
802.656.4299 http://www.uvm.edu/llcenter/gallery/
Exhibit Hours: Mon – Fri: 1:00-8:30pm Sat: 12:30-4:30pm
Gallery Closed for Spring Recess March 11-19; Open by appointment only
A lovely progression and the light shadows on the last piece are beautiful. This series really captures your strengths. D
Thanks for the uplifting feedback Dianne!