This seems to be an unusually good summer for local exhibitions. So many, in fact, that I’ve had to schedule them into my calendar to be sure I don’t miss out. Last week I went up to the Helen Day Art Center in Stowe to see Composing Form (June 22 – Aug 24), an inspirational group show of contemporary, mostly figurative, ceramics.

Vernal  ©Sergei Isupov, 2016, Porcelain, slip, glaze, 17.5 x 9 x 8 inches    Isupov’s portfolio is quite impressive. Be sure to read about his Fire Sculpture

Cabeza IV  ©Christina Córdova, 2018, Ceramic, 17 x 11 x 5.5 inches

I have a soft spot for clay. My first real 9-5 job was as a potter’s apprentice one summer. I had great dreams of the pots I would make and of how my knowledge of ceramics would grow. While I can’t say I didn’t learn from the job, my take-aways weren’t at all what I had expected. The reality was my biceps grew more than my throwing skills — from wedging a tremendous amount of clay for others to throw, and from lugging 40-pound bags of it to those other potters’ cars.

Question of Honor / Lucretia (After Lucas Cranach the Elder) Teapot  ©Kadri Pärnamets, 2015, Porcelain, slip, glaze, 11 x 10.5 x 5 inches

Linea  ©Tara Thacker, 2019, Porcelain on canvas, 56 x 14 inches

I stopped working with clay mid-way through college, but my romance with the medium still lingers. A hand-building class was my refuge almost a decade ago while our builders completed the protracted process of finishing our house after we had moved in. I have two clay dog sculptures purchased to mark the times between the loss of one family pooch and the welcoming of another, a not-so-subconscious effort to find canine comfort during those lonely days. And one of my favorite ‘always close at hand in the studio’ books to flip through when I hit a wall or need a break while working is 500 Animals in Clay: Contemporary Expressions of the Animal Form.

The Knight of the Lions  ©Robin Best, 2016, Porcelain, on-glaze Xin Cai, 14.1 x 7.9 x 10.25 inches

Horsepower, detail  ©Sergei Isupov, 2009, Stoneware, 32 x 19 x 17 inches

The varied pieces in Composing Forms create an imposing sense of presence in the gallery. If you go, be sure to pay attention to how shadows contribute to that force. The work is exquisitely detailed with underlying nuances of mystery, paired with acute observations. Perhaps more than any other quality, it will come as no surprise that I was particularly attracted to the incorporation of drawing/painting into the pieces by Sergei Isupov, Kari Pärnamets, Sin Ying Ho, and Robin Best.

Background, L: Horsepower ©Sergei Isupov, 2009, Stoneware R: Bullseye ©Sergei Isupov, 2009, Stoneware, Front: Shift ©Jerilyn Virden, 2019, Handbuilt earthenware, Hollow construction, Glazed and sanded, 8 x 22 x 12 inches

We are so fortunate to have these artists’ work to enjoy for the summer. Don’t miss out.