I’ve been seeking a change from the black and white of ink drawings — perhaps inspired by all the late season color in the garden? …but also knowing I’ve let watercolor sketching slide for a while. I have mountains to scale in learning about color and before I will feel comfortable; to say it’s humbling is an understatement. Yet the pure beauty of transparent color is irresistible and, for the moment anyway, I’m enjoying having such a steep challenge to sink my teeth into.
What I think I appreciate most is the aspect of walking the very thin line between an illusion of control and recognition that, especially at this early point, results are more reliant upon serendipity than skill. Right now I would say I’m at 25% control, 75% serendipity – and that may be overly generous. But I trust with time and practice I can begin to see the numbers move in the opposite direction.
Charles Reid continues to be my go-to guide. I owe a huge debt of gratitude to my mother-in-law for introducing me to his work years ago.
What living artist has taught you the most?
These 3 sketches were from yesterday. I learn a lot through repetition and variation. And it’s interesting to see how my feelings about each has changed with a bit of distance and a good night’s sleep. Converting to black and white in Photoshop is also a good learning tool.
While the washes were drying I did the Shibori stitching for 3 small new pieces. Stay tuned for the dyeing results next week.