Category Archives: Books

Alchemy Through Art

When my husband and I were married, our best man, who had been my husband’s housemate in medical school, gave a toast about the art of medicine and the medicine of art. The book I am about to share with you is a shining example of both.

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Courtesy of Dana Walrath

Whether or not you have personal experience with Alzheimer’s Disease,  it’s hard to believe that it won’t eventually touch all our lives in some way. Vermont artist Dana Walrath’s graphic memoir Aliceheimer’s Alzheimer’s Through the Looking Glass tells of the three years she and her family cared for her mother Alice in their home when she was no longer able to care for herself.

aliceslide1

Courtesy of Dana Walrath

As a medical anthropologist, (a field that “draws upon social, cultural, biological, and linguistic anthropology to better understand those factors which influence health and well being”), in addition to being an artist and writer, Walrath taps her breadth of cultural knowledge to reframe a seemingly dire situation into an opportunity for love, understanding, and reconnection.

alice-4

Courtesy of Dana Walrath

Using the improvisational technique of “yes, and…” Walrath and her family were able to cope with and acknowledge her mother’s hallucinations by labeling them a ‘superpower’. This approach not only provided Alice with a sense of dignity surrounding her altered perceptions, but also allowed the family to move forward from a positive footing, rather than focusing on her dementia as a source of distress and argument.

aliceslide3

Courtesy of Dana Walrath

There is an optimistic power and hopefulness in Walrath’s illustrations. They are images of Alice and her world, her collaged bathrobe created with the pages of an inexpensive edition of Lewis Carroll’s Alice’s Adventures in Wonderland. That particular artistic choice is all the more fitting considering that Carroll’s story is one of Walrath’s mother Alice’s favorites, in addition to drawing an apt parallel with the havoc Alzheimer’s Disease wreaks on its sufferers’ sense of reality.

alice-5

Courtesy of Dana Walrath

Aliceheimer’s examines Alzheimer’s through a new lens – one from which, as Walrath exemplifies, positive aspects can be found. For instance, she outlines the unexpected gift of getting to know her parent as she was as a child. With Alzheimer’s a patient often lives in the world of her childhood, so by accepting her reality rather than fighting it, one has access to the unique opportunity of experiencing it with her.

alice-3

Courtesy of Dana Walrath

For those of us unfamiliar with the concept of Graphic Medicine, Aliceheimer’s is an example of what a powerfully positive vehicle for communication graphic narratives can be. Walrath’s uplifting images lend an enhanced understanding of Alzheimer’s while shifting our perception away from the horror we normally associate with dementia. She explains to Nancy Stearns Bercaw of the NY Times that, as a person who had always read but who was no longer able to follow the thread of standard prose, Alice became immersed graphic novels.  In telling their personal story, Walrath “wanted to use a form that a person with dementia could access”. I believe that expression of her empathy serves as a better testimonial of the book than any praise I could write.

alice-6

Courtesy of Dana Walrath

If you’d like to know more, listen to Dana describe her experiences in this Vermont Edition interview; my brief synopsis can’t begin to do justice to hearing her relate the story in her own voice. I promise you will be moved by this glimpse into the reciprocal powers of art and medicine in her very capable hands.

alice1

Courtesy of Dana Walrath

Articles surrounding Aliceheimer’s Alzheimer’s Through the Looking Glass can be read on the websites of NPR, the New York Times, and the Massachusetts Review.

Giving Intuition its Due

There are rules of ‘making’ that have been drilled firmly within our brains, often leaving us consumed and creatively tongue-tied by their prescribed boundaries. Yet I think it’s healthy to keep in mind, in an effort to access the core of what we ultimately want to say through our work, that selectively disregarding the paths laid out and trodden by those who have gone before, or even those who walk alongside of us, can lead to wonderful discoveries.

BoatShed

Boat Shed     © 2016 Elizabeth Fram                                                                                                      It was busy in Maine last week, but there’s always time for a bit of sketching

In her “first person” essay in the Spring 2016 Surface Design JournalJuliet Martin discusses the Japanese philosophy of SAORIan ideology that “encourages freeform work — no patterns, no rules, (and perhaps most importantly) no mistakes”. Saori is a type of weaving devised by Misao Jo that ignores restrictions, giving voice to the expression of hidden personal creativity. Martin writes in greater depth about her experience with and exploration of Saori in her article  Unmistakable: How I Understand Saori Weaving on the Surface Design blog. Applying this mindset has had a fascinating affect on the way Martin approaches her work. I encourage you to read her post regardless of your medium, as I believe its core ideas swing open a door to greater creative possibilities across all disciplines.

Grasses

Summer Grasses     ©2016 Elizabeth Fram

At it’s heart, Saori celebrates working intuitionally and allows for the “happy accidents” that often elevate a piece beyond what might have been initially planned. As a way of working, it lends permission to set aside rules and to relax into one’s process, letting the actual act of making guide the way toward fortuitous discoveries. And I have to wonder, couldn’t all our work benefit from a little more of that?

If you are looking for a great art book to round out your August, check out McCloskey – Art and Illustrations of Robert McCloskeyEven if you didn’t grown up in Maine, I have to believe you are familiar with Blueberries for Sal, Make Way for Ducklings, One Morning in Maine, or one of McCloskey’s many other books. And if not – grab a young friend and check them out from the library! His work is so iconic to me that, when we brought our daughter to Boston at the beginning of her college search, I made sure to find time to search out Nancy Schön’s bronze sculpture of McCloskey’s beloved Mallard family in the Boston Public Garden.

LobsterBoats

Lobster Boats     ©2016 Elizabeth Fram

What I didn’t realize is that in addition to his fabulous illustrations which speak so strongly of Maine, McCloskey was also a wonderful painter who travelled widely, living and painting in Rome (he won the Prix de Rome during World War II), Greece, Mexico, and on the island of St. Thomas. The text, written by his daughter Jane (the baby in One Morning in Maine) is personal, not scholarly, and gives a comprehensive overview of McCloskey’s career while simultaneously sharing page after page of paintings and sketches that expose a depth of work that won’t disappoint.

Old Chore, New Challenge

It’s always a gift when you find a way to see something with new eyes.

Dirty Dishes
“My life will always have dirty dishes.
If this sink can become
a place of contemplation
let me learn constancy here…”
— Gunilla Norris, Being Home

The above is an excerpt from a meditation by Gunilla Norris in her 1991 book Being Home I bought the book years ago in my search for a way to be at peace with the myriad of endlessly repetitive and menial tasks that are a fact of life when tending a home with young children. I loved the children part, but not so much the housework.

Dishes

Jumble    ©2016 Elizabeth Fram

It’s a soothing little book with lovely black and white photographs by Greta D. Sibley. In fact, I think those photos did more to help me reframe my perspective on daily chores than the meditations. Well, in all honesty I’m not sure I’ve ever been able to achieve a better attitude about housework, but Sibley’s images absolutely contributed to the way I observe the details of the ordinary.

MeasuringCup-&-Waterbottle

String of Circles    ©2016 Elizabeth Fram

There is a wonderful irony in the fact that the piles of dishes that had no redeeming qualities 25 years ago have indeed evolved into a source of contemplation. They now assume another mantle, that of a place of study — of shape, value, pattern and composition — a place “to be“, as Norris says in her introduction, “in the extraordinary beauty of dailiness”.

SInk

Sink    ©2016 Elizabeth Fram

And she was right, my life will always have dirty dishes. But at least now I can also see them as the basis of a new still life that awaits me every day.

 

Everything Is Its Own Reward

Many of my favorite books come with a backstory. They’re the ones I find unexpectedly, often a by-product of quickly checking out an unknown bookstore in the midst of an outing or a trip.

LaPuertaNegra

La Puerta Negra     ©2016 Elizabeth Fram

A couple of weeks ago, on a jaunt up to the Vermont Studio Center to see Joseph Salerno’s paintings, (which, by the way, were fabulous), I had the chance to pop into Ebenezer Books and found a treasure — not only for its contents, but also because it now holds the memory of that afternoon with friends.

Paul Madonna’s thick compilation Everything Is Its Own Reward first caught my eye because of the sketches; line drawings with ink washes – mostly monochromatic. I bought it figuring it would be pleasure-read and textbook rolled into one. Containing page after page of lonely streetscapes without people and only occasional cars, it honors the raw beauty of value, pattern, and composition, offering an intimate conversation with a sense of place. The fact that most of the images are from spots in and around San Francisco, easily my favorite of our many residences before settling in VT, sweetened the pot.

Succulent

Succulent     ©2016 Elizabeth Fram

Madonna includes snippets of handwritten text: part journal, part fiction, part esoteric poetry. It’s a book that I sense will read differently each time I pick it up, depending on mood and circumstance. Seemingly a volume of mostly images, with limited and at times cryptic text, it was a very happy surprise to find he had written an enlightening afterword, a reward in itself, revealing the backstory of these works and his philosophy about being an artist.

Orchids

Orchids     ©2016 Elizabeth Fram

His gem-like musings on seeking to create work with meaning that would be appreciated in a world where “to create art was to walk up (a) mountain (of everything-ever-made) and add a small cup of dirt while an endless procession of dump trucks poured other artists’ dirt onto the mountain as well”, are humble thoughts that I am convinced sneak into all our minds at one time or another. He sums it up in this way:

“So I continue to try. To do more than try. To give everything I have, because if I don’t, what is the point? There is no point. I do it for the sake of doing. I get out only what I put in. Everything being, its own reward.”

Wow. Maximum inspiration within 220+ pages.

Additional notes: Everything Is Its Own Reward is Paul Madonna’s 2nd book. His weekly strip in the San Francisco Chronicle generated All Over Coffee, his first.

And speaking of “strips”, I highly recommend the documentary Very Semi-Serious that delves into the cartoon department at the New Yorker magazine, and many of the artists who have contributed to its iconic genius. I think you’ll get a kick out of it.

Bound Up with Memories

I am still adjusting to being dog-less after losing Lola last summer. Yet I’m very grateful for all the drawings that remain. In the same way that a song or a smell will evoke a time and place, sketches also seem to have the magical ability to transport you back to a particular moment — a consequence of the Zen-like mindfulness that comes with concentrating so intently.

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©2015 Elizabeth Fram

Lola was a wonderful teacher because, even though most of the time I tried to catch her while she was sleeping, she could never hold a pose for long. She had a very active dream life and pushed me in my on-going aspiration to develop an ability to catch an image quickly.

Lola11web

©2015 Elizabeth Fram

When our daughter was visiting in August, I handed my sketchbooks over to her so she could mark the drawings that she might like copies of, thinking I would probably scan and email them to both our kids in a zip-file. As often happens, things got busy and I was slow to follow through. But then I had an idea…

Coverweb

©2015 Elizabeth Fram

I know I’m late to the party in discovering this, but I had read somewhere about making books with Blurb — and also, I know someone who had mentioned in passing that she has had good luck self-publishing with them. Rather than just emailing a slew of images and leaving it for the kids to figure out what to do with them, I decided it would be fun to try to put together a little hardcover book as a Christmas gift.

Pages2&3web

©2015 Elizabeth Fram

It was a breeze to do; the software is easily downloaded and very intuitive. If you want to create a polished presentation of images of your work, this approach is well-worth considering. Blurb is not the only place that offers this service, so shop around to see what’s most cost-effective and has the options that are right for you.

Pages4&5web

©2015 Elizabeth Fram

The end results were worth the effort. This little memory book will mean a lot to me as I look back — not only in remembering a loyal pal, but also as a symbol of the quiet sense of teamwork we shared each time she took on the role of patient model.

Pages6&7web

©2015 Elizabeth Fram

Unexpected Gifts

The weeks between Thanksgiving and Christmas can be a bit of a scramble. However, two things brought me an extra measure of cheer this week, lifting me above my to-do lists.

Amaryllis

Amaryllis     ©2015 Elizabeth Fram

First, this interview with Joy Spontak in the December issue of the Across Roads Center for the Arts newsletter (conducted and transcribed by my multi-talented friend, Adrianna Benson). The following quote from the interview resonated with the way I like to work too, and I love the notion that Joy consciously uses this approach outside her studio as well:

“One of the things I’ve learned about my own process is that it is a conversation between you and whatever (piece) you are doing. You do something to it, it suggests something to you, and you have to think about it to move on with the piece/process. Thinking about how you’ll work this process; feeling, changing, working it past how you originally intended it, because things change. I’ve tried to apply this process to my life.”

Her point coincides nicely with one of the books I’m reading now: Breaking the Rules of Watercolor by Shirley Trevena. Trevena stresses that she prefers to leave her options open while she paints. To paraphrase, she found that “by only half-painting objects or leaving white space” she could postpone decisions, often finding that she is rewarded by holding back. What she leaves out can end up becoming as interesting as the areas she has painted, in essence making the finished work greater than the sum of its parts.

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The other completely unexpected treat this week is that my ‘Tres Chic’ amaryllis is blooming… again. When bringing my houseplants inside for the winter in early October, I discovered a bonus: two of my amaryllises had formed new flower buds while they were still out on the porch. They bloomed in mid-October so I figured they were finished. But now they are both going for a second showing, an unexpected and welcome gift during a dark and wet November week.

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Amaryllis 3     ©2015 Elizabeth Fram

Do any of you know how these plants managed to get in their dormant time without an extended period of darkness?  (I have 3 others that seem to be following a more normal schedule). I guess the cooler temps must have done the trick, but whatever the explanation, I’m grateful for the burst of color.

 

 

Connecting Through Books

If you are familiar with this blog, you know that I enjoy reading and recommending books. For a refresher you can check back to see some suggestions from previous posts here, here, and here.

Pages

Pages     ©2015 Elizabeth Fram

I’m grateful for the Internet and there’s no denying it’s an amazing tool for expanding an artistic practice, but firing up my laptop doesn’t come close to matching the excitement of cracking open a book. Whether bought, borrowed or received as a gift, there is always a bit of a thrill in anticipating what waits inside. Somehow books seem more private and personal to me than reading on-line, somewhat akin to a tête-à-tête with the author, if you will. Books frequently offer an affirming and unforeseen sense of connection, which adds fuel to any resulting inspiration, benefiting one’s work.

Cookbooks

Cookbooks     ©2015 Elizabeth Fram

Beyond that, sharing and comparing impressions and perspectives with a fellow reader opens the door to a fruitful exchange, possibly deepening one’s level of understanding and appreciation…or not. Either way, I think connecting over ideas is one of life’s greatest joys and privileges.

Stacked

Stacked     ©2015 Elizabeth Fram

As the days shorten and the temps drop, I’m eagerly anticipating having more time to read. So I was happy to jump on board when a couple of friends suggested the idea of a ‘creative’ reading group, centering on books that cover artistic lives and/or ideas. We’re going to begin with Patti Smith’s newly published M Train. Have you read it yet?

What’s on your shelf? I’m all ears if you have any suggestions of books you think we might like. I’ll be sure to post the compiled list sometime in the future as a reference for your creative reading.