It’s pretty shocking when I stop to realize just how many years it’s been since I last devoted several continuous hours to drawing a figure. Lately the urge to get back to it has been really niggling at me, spurred by the growing toehold regular sketching has nurtured. For more than a year I’ve been on the lookout for a figure drawing gathering that would mesh with my schedule.

In Process       The majority of my sketchbooks are approximately A4 or A5. Stretching out on an 18 x 24 inch sheet is pure luxury.

Thanks to a couple of friends who tipped me off to a (kinda-sorta) local group, I was able to attend my first life drawing session this past week. I am beyond excited! For 4+ hours I felt like that proverbial clam, snuggled in at high tide, while drawing in the congenial company of a collection of accomplished and welcoming artists who have been meeting regularly for quite some time. The model was superb and there was even jazz playing in the background. Seriously, I was beyond happy.

In Process     The model gets regular breaks, which is also a good time to reassess direction. Taking pictures with my phone mid-process is incredibly helpful, allowing for the distance necessary to identify areas that may need to change.

As something of a resource nerd I’m grateful for the library I’ve amassed over the years, pulling the following books/periodicals from my shelf for self-imposed homework. I would recommend any of them if you’re looking for drawing information and inspiration.

The Visual Language of Drawing – James L. McElhinney & the Instructors of The Art Students League of New York

The Natural Way to Draw – Nicolaides

Drawing Atelier: The Figure – Jon de Martin

Drawing magazine

Blue Hat     © 2017 Elizabeth Fram, 24 x 18 inches, Graphite on paper

Working larger gives me a greater opportunity to consider how shapes define not just the image, but also the way they support an abstracted definition of the composition.  Thinking along those lines as I’ve been stitching this week has made me even more aware of the possible parallels between my drawn and stitched work, and the symbiosis (in my mind, at least) that links both disciplines, which makes working back and forth all the richer.

Blue Hat, detail     ©2017 Elizabeth Fram

Instagram continues to be a wonderful resource. Check out  @ronniecay,  @bobart1937,  &  @kevinwueste  They all regularly post work from their life drawing sessions. The variety of style and interpretation is quite inspiring.